CRITICAL
OVERVIEW:
Luhsun goes into the clockwork of
the collective metaphoric dream, the narrative delivery of the
social conscience, how it might mutate into a cinematic sign,
visual and punctuated by sound.
He
seeks to express their represented form through the possibilities
of new technologies using animation, cinematography, sound and
drama, a mixed media exploring moments created in the poetic space
of cinema.
See also
essay on Reverie Sans Frontiers.
FILMOGRAPHY:
Machine
War
(1992,12 mins, Hi 8 video)
Video
Fillers (1994, 10 x 30 secs, video/Super 8)
3DTV.9
(1996, 10 mins, Hi 8 video)
Singapore,
The Art of Identity (2001, 26 mins, DV)
30 Seconds
of Entertainment (2003, 30 secs, Beta SP)
Shadow
in the Wood (2003, 6 mins 30 secs, Beta SP)
Reverie
Sans Frontiers (2004, 6 mins 30 secs, 35mm widescreen)
Reel Scratchers
(2005, 7 mins, 16mm to DVD)
This King
of thing (2006, 7 mins, DigiBeta)
Fokker's Mountain Path (2008, 11 mins, DVD/miniDV/Beta SP)
SELECT
BIBLIOGRAPHY:
Adrian Martin,
"Quantum leap in animation", The Age, Thursday, December
4, 2004.
©
Luhsun Tan, April 2009
Luhsun Tan website
Contact
Luhsun Tan
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