CRITICAL
OVERVIEW:
The early works of George Goularas
(under pseudonyms Random or Ray) were difficult abstract mosaics;
multiple fragmented narratives float and interweave around themes
of loss, isolation and madness.
Apart from
the fragility of identity, his films tend to explore the nature
of consciousness at its most essential. Don’t Blink (1998,
18 mins), for example, portrays several impaired protagonists
from a schizophrenic point of view. The audience is left to witness
an aphasic separation of language (visual and aural) and meaning.
On a structural
level he usually combines an intense meditative compositional
style with a precise, agile, almost dyslexic editing technique
that functions more on a neurological level than a narrative one.
This vivid quality was hinted at by Adrian Martin in an early
critique (see Bibliography) of For Xaviera Arabella (1989,
15 mins), and In a Few Words (1989, 9 mins): "His
films are severely poetic, severely obscure....films that streaked
by, that escape me, that I wouldn’t pretend to much ‘decipher’,
films that one hallucinates more than remembers."
George Goularas'
most recent project Theatre Games (2003, 22 mins) is a
collaborative work done with a group of intellectually disabled
young adults who grapple with improvisational acting. After some
banal but humorous false starts they slowly begin to relinquish
their inhibitions and perform with bizarre imagination.
Without guile
or pretence they eventually create a cops and robbers drama
where the unpredictable reigns. An
autistic sense of repetition drives their performances. Their
persistence is musical.
Theatre
Games has a work in progress feel, an impromptu film about
impromptu performances - performances that are rich, funny and
absurd, indicative of an increasing sense of black humour in George's
work.
Overall,
his films (and other writings) have evolved to a more accessible
form, yet they have not lost the energetic experimental edge that
his earlier work possesses. His more recent video
collaborations on ethical and social issues have, ironically,
a lighter playful quality but retain a distinctive kinetic complexity.
FILMOGRAPHY:
For Xaviera
Arabella
(1989, 15 mins, Super 8)
In a Few
Words (1989, 9 mins, Super 8)
Fingerprints
of You (1994, 12 mins, Super 8)
When
(1996, 6 mins, Super 8)
Don’t
Blink (1998, 18 mins, 16mm)
Cinema
Terrorismo (2000, 7 mins, video)
"How
I Can Stop Racism..." (2003, 6 mins, video)
Collaborative
short film with the students of Abbotsford Primary School for
‘Cultural Diversity Week’ - March, 2003 - organised by SBS Radio.
Theatre
Games (2003, 22 mins, video)
Collaborative
short documentary on improvised acting classes with the intellectually
disabled.
FESTIVALS/AWARDS:
Don't
Blink
Finalist 1998 Dendy Awards, Sydney Film Festival
Finalist
1999 ATOM Awards
THEATRE:
Lemniscate
(2002)
20
minute short play written for the
Melbourne Writers’ Theatre.
Performed
at Carlton Courthouse - (3-20 July, 2002).
Producer: Ray Mooney.
Published
by ‘Beilby Books’ in a collection of short plays - ‘School:
The Irreverent Reveries’
SELECT
BIBLIOGRAPHY:
"Notes
on Six Secrets", by Adrian Martin, Cantrills Filmnotes,
No. 61-62, May 1990.
"This
Integration: The films of George Goularas", by Bill Mousoulis,
Melbourne Super 8 Film Group Newsletter, Issue 112,
April 1996.
"A
Guide to Greek-Australian filmmakers", by Bill Mousoulis,
Innersense website,
1998.
Photos
by Christine Giannakis
©
George Goularas, May 2003
Back
to Melbourne independent filmmakers index page
Melbourne
independent filmmakers -
a web resource
is compiled by Bill Mousoulis.
|